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Within the credit score scale plus transunion credit score scale, if an individual lots 700 or maybe more than Seven hundred as opposed considered to be a great credit history. You’re not this type of beneficial report can have no worries in establishing credit and that also at the small rate. Before your credit standing connected with 620 has been regarded as being a superb credit score however that rating is known as poor. A person where credit score inside the credit score scale can be in between 450 as well as 650 should test tough to get a loan mainly because it isn’t going to be all to easy to tell lenders.

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The credit rating data on the experian credit score scale as well as transunion credit score scale are developed in the latest way, whilst they depend on the particular Credit scoring product. This Experian credit worthiness stages via 330 for you to 830 as opposed to a TransUnion credit ratings degrees by 301 to help 850. The experian credit score scale employs As well as credit score credit rating program as opposed to TransUnion makes use of the typical reviewing technique regarding Credit, also referred to as EMPIRICA.

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Credit score Card Financial debt Settlement

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a threat as well as a great deal of individuals are facing it around the world. Charge card financial debt combination and financial institution fundings are well known as means of minimizing as well as getting rid of charge card debt. In all this confusion, bank card financial obligation negotiation nearly gets forgotten.Well, credit report card debt settlement starts right from your credit scores accounts where you have the most compelling debt card financial debt. This indicates credit report card financial debt arrangement has to be taken up with your current credit history carriers. Prior to you misunderstand it, let me make clear that we are not speaking about chucking off a part of your debt with credit report card debt arrangement. We are speaking mainly about using credit rating card debt arrangements for obtaining the APR on your current charge card decreased to some reduced number. So, bank card financial obligation settlement is about talking to your current credit report card vendors for informing them regarding your intent to erase your debt card debt and using your skills( debt card financial obligation settlement abilities)to concur a lower APR rate with them. Generally, bank card debt settlement is about asking your present credit rating card distributors for help/assistance in getting rid of off your charge card financial obligation. If charge card financial obligation settlement achieves success, it will certainly conserve you not just money (due to reduction in APR)yet likewise the headache that is related to trying to find a brand-new bank card(to transfer balance). Nonetheless, if the bank card financial debt settlement, with your current bank card supplier, does not produce the preferred outcomes, you will have to look for other credit rating

providers that could help you in combining your financial obligation. Once more, you will certainly need your negotiation abilities(rather charge card debt negotiation skills)to obtain an excellent bargain from them. If your credit score card financial debt settlements exercise well, you may be able to obtain a really low standard APR or you may get a longer term on 0% APR (or you could get both). These are truly the most important points as well as your bank card financial obligation negotiations must focus more on these than anything else. The various other point to include on your credit score card financial debt arrangement would certainly be the credit line and various other advantages. Right here, you are essentially attempting out the opportunity of obtaining a better credit scores card as part of your bank card debt arrangement. For people with truly bad credit scores rating, getting an unsecured small business loan or getting another credit report card(for balance transfer)is truly hard. For them, getting an unsafe small business loan or charge card is what you would certainly describe as credit rating card financial debt negotiation.So, do not think twice in opting for bank card financial obligation settlement. It is surely an option offered for all.

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Steven F. Udvar-Hazy Center: B-29 Superfortress “Enola Gay” scenic view

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free credit score government In the P-38 Lockheed designer Clarence “” Kelly” Johnson as well as his group of designers created one of the most successful twin-engine competitors ever flown by any type of country. From 1942 to 1945, U. S. Army Air Forces pilots flew P-38s over Europe, the Mediterranean, and also the Pacific, and from the frozen Aleutian Islands to the sun-baked deserts of North Africa. Lightning pilots in the Pacific theater downed a lot more Japanese airplane than pilots flying any kind of various other Allied warplane.

Maj. Richard I. Bong, The U.S.A.’s leading boxer ace, flew this P-38J-10-LO on April 16, 1945, at Wright Field, Ohio, to examine an experimental technique of interconnecting the activity of the throttle and also prop control levers. Nonetheless, his appropriate engine blew up in flight before he can carry out the experiment.

Transferred from the USA Flying force.

Manufacturer:

Physical Summary:
Twin-tail boom and twin-engine boxer; tricycle landing equipment.

– – – – -.

Pricing estimate < a href=" http://www.nasm.si.edu/collections/artifact.cfm?id=A19500100000" rel =" nofollow" > Smithsonian National Air and also Room Gallery|Boeing B-29 Superfortress “” Enola Gay”“:

. Boeing’s B-29 Superfortress was one of the most advanced propeller-driven bombing plane of World War II and the very first bomber to house its crew in pressurized areas. Although designed to combat in the European cinema, the B-29 discovered its particular niche beyond of the globe. In the Pacific, B-29s delivered a variety of airborne weapons: conventional bombs, incendiary bombs, mines, and two nuclear tools.

On August 6, 1945, this Martin-built B-29-45-MO went down the very first atomic tool utilized in fight on Hiroshima, Japan. 3 days later on, Bockscar (on display at the United States Air Pressure Museum near Dayton, Ohio) dropped a 2nd atomic bomb on Nagasaki, Japan. Enola Gay flew as the advancement weather condition reconnaissance aircraft that day. A 3rd B-29, The Great Artist, flew as an observation aircraft on both goals.

Moved from the USA Air Pressure.

Maker:
< a href=" http://www.nasm.si.edu/collections/cons.cfm?id=1164" rel=" nofollow" > Boeing Airplane Co.< a href=" http://www.nasm.si.edu/collections/cons.cfm?id=15148" rel=" nofollow" > Martin Co., Omaha, Nebr.

Date:
1945.

Native land:
United States of America.

Measurements:
Overall: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16 in. x 99ft 1in., 71825.9 lb., 141ft 15/16in.).

Products:
Sleek overall light weight aluminum surface.

Physical Summary:
Four-engine hefty bombing plane with semi-monoqoque fuselage and high-aspect proportion wings. Refined aluminum finish overall, basic late-World Battle II Military Air Forces insignia on wings and also aft body and also identification number on vertical fin; 509th Composite Group markings paintinged in black; “” Enola Gay”” in black, block letters on lower left nose.

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Steven F. Udvar-Hazy Center: Hawker Hurricane Mk. IIC, with Northrop P-61C Black Widow, B-29 Superfortress “Enola Gay”, and SR-71 Blackbird in the background
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Image by Chris Devers
See more photos of this, and the Wikipedia article.

Details, quoting from Smithsonian National Air and Space Museum: Steven F. Udvar-Hazy | Hawker Hurricane Mk. IIC:

Hawker Chief Designer Sydney Camm’s Hurricane ranks with the most important aircraft designs in military aviation history. Designed in the late 1930s, when monoplanes were considered unstable and too radical to be successful, the Hurricane was the first British monoplane fighter and the first British fighter to exceed 483 kilometers (300 miles) per hour in level flight. Hurricane pilots fought the Luftwaffe and helped win the Battle of Britain in the summer of 1940.

This Mark IIC was built at the Langley factory, near what is now Heathrow Airport, early in 1944. It served as a training aircraft during the World War II in the Royal Air Force’s 41 OTU.

Donated by the Royal Air Force Museum

Manufacturer:
Hawker Aircraft Ltd.

Date:
1944

Country of Origin:
United Kingdom

Dimensions:
Wingspan: 12.2 m (40 ft)
Length: 9.8 m (32 ft 3 in)
Height: 4 m (13 ft)
Weight, empty: 2,624 kg (5,785 lb)
Weight, gross: 3,951 kg (8,710 lb)
Top speed:538 km/h (334 mph)
Engine:Rolls-Royce Merlin XX, liquid-cooled in-line V, 1,300 hp
Armament:four 20 mm Hispano cannons
Ordnance:two 250-lb or two 500-lb bombs or eight 3-in rockets

Materials:
Fuselage: Steel tube with aircraft spruce forms and fabric, aluminum cowling
Wings: Stressed Skin Aluminum
Horizontal Stablizer: Stress Skin aluminum
Rudder: fabric covered aluminum
Control Surfaces: fabric covered aluminum

Physical Description:
Hawker Hurricane Mk. IIC single seat, low wing monoplane ground attack fighter; enclosed cockpit; steel tube fuselage with aircraft spruce forms and fabric, aluminum cowling, stressed skin aluminum wings and horizontal stablizer, fabric covered aluminum rudder and control surfaces; grey green camoflage top surface paint scheme with dove grey underside; red and blue national roundel on upper wing surface and red, white, and blue roundel lower wing surface; red, white, blue, and yellow roundel fuselage sides; red, white and blue tail flash; Rolls-Royce Merlin XX, liquid cooled V-12, 1,280 horsepower engine; Armament, 4: 20mm Hispano cannons.

• • • • •

See more photos of this, and the Wikipedia article.

Details, quoting from Smithsonian National Air and Space Museum: Steven F. Udvar-Hazy | Northrop P-61C Black Widow:

The P-61 Black Widow was the first U.S. aircraft designed to locate and destroy enemy aircraft at night and in bad weather, a feat made possible by the use of on-board radar. The prototype first flew in 1942. P-61 combat operations began just after D-Day, June 6, 1944, when Black Widows flew deep into German airspace, bombing and strafing trains and road traffic. Operations in the Pacific began at about the same time. By the end of World War II, Black Widows had seen combat in every theater and had destroyed 127 enemy aircraft and 18 German V-1 buzz bombs.

The Museum’s Black Widow, a P-61C-1-NO, was delivered to the Army Air Forces in July 1945. It participated in cold-weather tests, high-altitude drop tests, and in the National Thunderstorm Project, for which the top turret was removed to make room for thunderstorm monitoring equipment.

Transferred from the United States Air Force.

Manufacturer:
Northrop Aircraft Inc.

Date:
1943

Country of Origin:
United States of America

Dimensions:
Overall: 450 x 1500cm, 10637kg, 2000cm (14ft 9 3/16in. x 49ft 2 9/16in., 23450.3lb., 65ft 7 3/8in.)

• • • • •

Quoting Smithsonian National Air and Space Museum | Boeing B-29 Superfortress "Enola Gay":

Boeing’s B-29 Superfortress was the most sophisticated propeller-driven bomber of World War II and the first bomber to house its crew in pressurized compartments. Although designed to fight in the European theater, the B-29 found its niche on the other side of the globe. In the Pacific, B-29s delivered a variety of aerial weapons: conventional bombs, incendiary bombs, mines, and two nuclear weapons.

On August 6, 1945, this Martin-built B-29-45-MO dropped the first atomic weapon used in combat on Hiroshima, Japan. Three days later, Bockscar (on display at the U.S. Air Force Museum near Dayton, Ohio) dropped a second atomic bomb on Nagasaki, Japan. Enola Gay flew as the advance weather reconnaissance aircraft that day. A third B-29, The Great Artiste, flew as an observation aircraft on both missions.

Transferred from the United States Air Force.

Manufacturer:
Boeing Aircraft Co.
Martin Co., Omaha, Nebr.

Date:
1945

Country of Origin:
United States of America

Dimensions:
Overall: 900 x 3020cm, 32580kg, 4300cm (29ft 6 5/16in. x 99ft 1in., 71825.9lb., 141ft 15/16in.)

Materials:
Polished overall aluminum finish

Physical Description:
Four-engine heavy bomber with semi-monoqoque fuselage and high-aspect ratio wings. Polished aluminum finish overall, standard late-World War II Army Air Forces insignia on wings and aft fuselage and serial number on vertical fin; 509th Composite Group markings painted in black; "Enola Gay" in black, block letters on lower left nose.

• • • • •

See more photos of this, and the Wikipedia article.

Details, quoting from Smithsonian National Air and Space Museum | Lockheed SR-71 Blackbird:

No reconnaissance aircraft in history has operated globally in more hostile airspace or with such complete impunity than the SR-71, the world’s fastest jet-propelled aircraft. The Blackbird’s performance and operational achievements placed it at the pinnacle of aviation technology developments during the Cold War.

This Blackbird accrued about 2,800 hours of flight time during 24 years of active service with the U.S. Air Force. On its last flight, March 6, 1990, Lt. Col. Ed Yielding and Lt. Col. Joseph Vida set a speed record by flying from Los Angeles to Washington, D.C., in 1 hour, 4 minutes, and 20 seconds, averaging 3,418 kilometers (2,124 miles) per hour. At the flight’s conclusion, they landed at Washington-Dulles International Airport and turned the airplane over to the Smithsonian.

Transferred from the United States Air Force.

Manufacturer:
Lockheed Aircraft Corporation

Designer:
Clarence L. "Kelly" Johnson

Date:
1964

Country of Origin:
United States of America

Dimensions:
Overall: 18ft 5 15/16in. x 55ft 7in. x 107ft 5in., 169998.5lb. (5.638m x 16.942m x 32.741m, 77110.8kg)
Other: 18ft 5 15/16in. x 107ft 5in. x 55ft 7in. (5.638m x 32.741m x 16.942m)

Materials:
Titanium

Physical Description:
Twin-engine, two-seat, supersonic strategic reconnaissance aircraft; airframe constructed largley of titanium and its alloys; vertical tail fins are constructed of a composite (laminated plastic-type material) to reduce radar cross-section; Pratt and Whitney J58 (JT11D-20B) turbojet engines feature large inlet shock cones.

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Stadsschouwburg (City Theatre) is one of Europe’s best preserved city theatres (1869) boasts a palatial foyer and a majestic auditorium. It is the perfect setting for concerts and contemporary dance and theatre performances.

Papageno, the bird seller from Mozart’s opera, The Magic Flute, guards the entrance. His score lies scattered on the square opposite.

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Michael Rennie, “The Day the Earth Stood Still,” 1951
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The 1951 science fiction film classic, "The Day the Earth Stood Still," won a Golden Globe award and in 2008, was ranked as Number 5 on American Film Institute’s list of the 10 greatest films in the Sci-Fi genre.

Film synopsis, via Wikipedia:
"The Day the Earth Stood Still" (a.k.a. "Farewell to the Master" and "Journey to the World") is a 1951 black-and-white American science fiction film from 20th Century Fox, produced by Julian Blaustein, directed by Robert Wise, that stars Michael Rennie, Patricia Neal, Hugh Marlowe, and Sam Jaffe. The screenplay was written by Edmund H. North, based on the 1940 science fiction short story, "Farewell to the Master" by Harry Bates. The score was composed by Bernard Herrmann.
 
In "The Day the Earth Stood Still," a humanoid alien visitor named Klaatu comes to Earth, accompanied by a powerful eight-foot-tall robot, Gort, to deliver an important message that will affect the entire human race.
 
In 1995, the film was selected for preservation in the United States National Film Registry as "culturally, historically, or aesthetically significant".

Film trivia, via IMDb:
One of the reasons that Michael Rennie was cast as Klaatu was because he was generally unknown to American audiences, and would be more readily accepted as an "alien" than a more recognizable actor. Studio head Darryl F. Zanuck had shown the script to Spencer Tracy, who was eager to play the role. Producer Julian Blaustein objected, saying that the audience would have numerous expectations about the character upon seeing an actor of such repute emerging from the flying saucer. Blaustein knew that Zanuck had the ultimate control, and if he insisted, Blaustein would either have to resign, or make the movie in an unsatisfactory way. Fortunately, Zanuck agreed, and Rennie was cast instead.
 
Bernard Herrmann used two Theremins to create his creepy score, one pitched higher, the other lower, making this one of the first films to feature a largely electronic score. The musical score by Herrmann was what inspired Danny Elfman to be a composer.
 
To increase the sense of reality, some of the most famous broadcast journalists of the time were hired to do cameos as themselves. These included Gabriel Heatter, H.V. Kaltenborn, and Drew Pearson.
 
To give the appearance of seamlessness to the space ship, the crack around the door was filled with putty, then painted over. When the door opened, the putty was torn apart, making the door seem to simply appear. To depict the seamless closing of the ship and its ramp, they just reversed the film of the shot of the ship’s ramp and door appearing
 
In line with the film’s Christian allegory, Klaatu adopts the name "Carpenter" when hiding out from the authorities. Robert Wise hadn’t considered the Christian implications until it was pointed out to him several years later.
 
Patricia Neal has admitted in interviews that she was completely unaware during the filming that the film would turn out so well, and become one of the great science-fiction classics of all time. She assumed it would be just another one of the then-current and rather trashy flying saucer films, and she found it difficult to keep a straight face while saying her lines.
 
The Army refused to cooperate after reading the script. The National Guard had no such qualms and gladly offered their cooperation.
 
The crowds were made up of local government employees, including some from the FBI offices, who were asked to participate in the film. No releases were required of employees.
 
Writer Edmund H. North was a former army officer who wrote the script in response to the proliferation of nuclear weapons during the Cold War.
 
Doubles were used for Klaatu and Bobby in long shots of them walking around Washington, DC. In reality, none of the principal cast ever went to Washington, and the scenes with Klaatu and Bobby at the Lincoln Memorial and at Arlington Cemetery were shot in front of background screens using footage shot by the second unit crew in Washington, DC.
 
Although he was already signed to play the Einstein-like Professor Barnhardt, the studio wanted to remove Sam Jaffe as a result of the political witch hunts that were then underway. Producer Julian Blaustein appealed to studio chief Darryl F. Zanuck. Zanuck allowed Jaffe to play the role, but it would be Jaffe’s last Hollywood film until the late 1950s.
 
The role of Gort was played by Lock Martin, the doorman from Grauman’s Chinese Theater, because he was extremely tall. However, he was unable to pick up Helen because he was so weak and had to be aided by wires (in shots from the back where he’s carrying her, it’s actually a lightweight dummy in his arms). He also had difficulty with the heavy Gort suit and could only stay in it for about a half hour at a time.
 
The phrase "Klaatu barada nikto" has become a popular phrase among sci-fi fans over the years and has been featured in other movies, such as "Army of Darkness" (1992).
 
The scene of the large crowd fleeing the saucer area after Gort appears is all too obviously "sped up" film, making the shot look unnatural. The reason for the sped up film effect was explained by director Robert Wise in an interview. It seems that, despite much pleading and cajoling from him, the crowd of inexperienced extras portraying the saucer onlookers simply wouldn’t move away from the saucer quickly enough to look panicky and convincing. After several takes, Wise finally had to move on with filming and reluctantly allowed the scene to be "sped up" in post production, knowing that the end result would probably look strange.

*********
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Rosetta Stone at the British Museum
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Image by Chris Devers
Pasting from the Wikipedia page on the Rosetta Stone:

[[[

The Rosetta Stone is an Ancient Egyptian artifact which was instrumental in advancing modern understanding of Egyptian hieroglyphic writing. The stone is a Ptolemaic era stele with carved text made up of three translations of a single passage: two in Egyptian language scripts (hieroglyphic and Demotic) and one in classical Greek. It was created in 196 BC, discovered by the French in 1799 at Rosetta, and transported to England in 1802. Once in Europe, it contributed greatly to the deciphering of the principles of hieroglyph writing, through the work of the British scientist Thomas Young and the French scholar Jean-François Champollion. Comparative translation of the stone assisted in understanding many previously undecipherable examples of hieroglyphic writing. The text on the stone is a decree from Ptolemy V, describing the repeal of various taxes and instructions to erect statues in temples. Two Egyptian-Greek multilingual steles predated Ptolemy V’s Rosetta Stone: Ptolemy III‘s Decree of Canopus, 239 BC, and Ptolemy IV‘s Decree of Memphis, ca 218 BC.

The Rosetta Stone is 114.4 centimetres (45.0 in) high at its highest point, 72.3 centimetres (28.5 in) wide, and 27.9 centimetres (11.0 in) thick.[1] It is unfinished on its sides and reverse. Weighing approximately 760 kilograms (1,700 lb), it was originally thought to be granite or basalt but is currently described as granodiorite of a dark grey-pinkish colour.[2] The stone has been on public display at The British Museum since 1802.

Contents

1 History of the Rosetta Stone
•• 1.1 Modern-era discovery
•• 1.2 Translation
•• 1.3 Recent history
2 Inscription
3 Idiomatic use
4 See also
5 Notes
6 References
7 External links

History of the Rosetta Stone

Modern-era discovery

In preparation for Napoleon‘s 1798 campaign in Egypt, the French brought with them 167 scientists, scholars and archaeologists known as the ‘savants’. French Army engineer Lieutenant Pierre-François Bouchard discovered the stone sometime in mid-July 1799, first official mention of the find being made after the 25th in the meeting of the savants’ Institut d’Égypte in Cairo. It was spotted in the foundations of an old wall, during renovations to Fort Julien near the Egyptian port city of Rashid (Rosetta) and sent down to the Institute headquarters in Cairo. After Napoleon returned to France shortly after the discovery, the savants remained behind with French troops which held off British and Ottoman attacks for a further 18 months. In March 1801, the British landed at Aboukir Bay and scholars carried the Stone from Cairo to Alexandria alongside the troops of Jacques-Francois Menou who marched north to meet the enemy; defeated in battle, Menou and the remnant of his army fled to fortified Alexandria where they were surrounded and immediately placed under siege, the stone now inside the city. Overwhelmed by invading Ottoman troops later reinforced by the British, the remaining French in Cairo capitulated on June 22, and Menou admitted defeat in Alexandria on August 30.[3]

After the surrender, a dispute arose over the fate of French archaeological and scientific discoveries in Egypt. Menou refused to hand them over, claiming they belonged to the Institute. British General John Hely-Hutchinson, 2nd Earl of Donoughmore, refused to relieve the city until de Menou gave in. Newly arrived scholars Edward Daniel Clarke and William Richard Hamilton agreed to check the collections in Alexandria and found many artifacts that the French had not revealed.[citation needed]

When Hutchinson claimed all materials were property of the British Crown, a French scholar, Étienne Geoffroy Saint-Hilaire, said to Clarke and Hamilton that they would rather burn all their discoveries — referring ominously to the destruction of the Library of Alexandria — than turn them over. Clarke and Hamilton pleaded their case and Hutchinson finally agreed that items such as biology specimens would be the scholars’ private property. But Menou regarded the stone as his private property and hid it.[4]

How exactly the Stone came to British hands is disputed. Colonel Tomkyns Hilgrove Turner, who escorted the stone to Britain, claimed later that he had personally seized it from Menou and carried it away on a gun carriage. In his much more detailed account however, Clarke stated that a French ‘officer and member of the Institute’ had taken him, his student John Cripps, and Hamilton secretly into the back-streets of Alexandria, revealing the stone among Menou’s baggage, hidden under protective carpets. According to Clarke this savant feared for the stone’s safety should any French soldiers see it. Hutchinson was informed at once, and the stone taken away, possibly by Turner and his gun-carriage. French scholars departed later with only imprints and plaster casts of the stone.[5]

Turner brought the stone to Britain aboard the captured French frigate HMS Egyptienne landing in February 1802. On March 11, it was presented to the Society of Antiquaries of London and Stephen Weston played a major role in the early translation. Later it was taken to the British Museum, where it remains to this day. Inscriptions painted in white on the artifact state "Captured in Egypt by the British Army in 1801" on the left side and "Presented by King George III" on the right.

Translation

Experts inspecting the Rosetta Stone during the International Congress of Orientalists of 1874

In 1814, Briton Thomas Young finished translating the enchorial (demotic) text, and began work on the hieroglyphic script but he did not succeed in translating them. From 1822 to 1824 the French scholar, philologist, and orientalist Jean-François Champollion greatly expanded on this work and is credited as the principal translator of the Rosetta Stone. Champollion could read both Greek and Coptic, and figured out what the seven Demotic signs in Coptic were. By looking at how these signs were used in Coptic, he worked out what they meant. Then he traced the Demotic signs back to hieroglyphic signs. By working out what some hieroglyphs stood for, he transliterated the text from the Demotic (or older Coptic) and Greek to the hieroglyphs by first translating Greek names which were originally in Greek, then working towards ancient names that had never been written in any other language. Champollion then created an alphabet to decipher the remaining text.[6]

In 1858, the Philomathean Society of the University of Pennsylvania published the first complete English translation of the Rosetta Stone as accomplished by three of its undergraduate members: Charles R Hale, S Huntington Jones, and Henry Morton.[7]

Recent history

The Rosetta Stone has been exhibited almost continuously in the British Museum since 1802. Toward the end of World War I, in 1917, the Museum was concerned about heavy bombing in London and moved the Rosetta Stone to safety along with other portable objects of value. The Stone spent the next two years in a station on the Postal Tube Railway 50 feet below the ground at Holborn.

The Stone left the British Museum again in October 1972 to be displayed for one month at the Louvre Museum on the 150th anniversary of the decipherment of hieroglyphic writing with the famous Lettre à M. Dacier of Jean-François Champollion.

In July 2003, Egypt requested the return of the Rosetta Stone. Dr. Zahi Hawass, secretary general of the Supreme Council of Antiquities in Cairo, told the press: "If the British want to be remembered, if they want to restore their reputation, they should volunteer to return the Rosetta Stone because it is the icon of our Egyptian identity". In 2005, Hawass was negotiating for a three-month loan, with the eventual goal of a permanent return.[8][9] In November 2005, the British Museum sent him a replica of the stone.[10] In December 2009 Hawass said that he would drop his claim for the return of the Rosetta Stone if the British Museum loaned the stone to Egypt for three months.[11]
Inscription

In essence, the Rosetta Stone is a tax amnesty given to the temple priests of the day, restoring the tax privileges they had traditionally enjoyed from more ancient times. Some scholars speculate that several copies of the Rosetta Stone must exist, as yet undiscovered, since this proclamation must have been made at many temples. The complete Greek portion, translated into English,[12] is about 1600–1700 words in length, and is about 20 paragraphs long (average of 80 words per paragraph):

n the reign of the new king who was Lord of the diadems, great in glory, the stabilizer of Egypt, but also pious in matters relating to the gods, superior to his adversaries, rectifier of the life of men, Lord of the thirty-year periods like Hephaestus the Great, King like the Sun, the Great King of the Upper and Lower Lands, offspring of the Parent-loving gods, whom Hephaestus has approved, to whom the Sun has given victory, living image of Zeus, Son of the Sun, Ptolemy the ever-living, beloved by Ptah;

In the ninth year, when Aëtus, son of Aëtus, was priest of Alexander and of the Savior gods and the Brother gods and the Benefactor gods and the Parent-loving gods and the god Manifest and Gracious; Pyrrha, the daughter of Philinius, being athlophorus for Bernice Euergetis; Areia, the daughter of Diogenes, being canephorus for Arsinoë Philadelphus; Irene, the daughter of Ptolemy, being priestess of Arsinoë Philopator: on the fourth of the month Xanicus, or according to the Egyptians the eighteenth of Mecheir.

THE DECREE: The high priests and prophets, and those who enter the inner shrine in order to robe the gods, and those who wear the hawk’s wing, and the sacred scribes, and all the other priests who have assembled at Memphis before the king, from the various temples throughout the country, for the feast of his receiving the kingdom, even that of Ptolemy the ever-living, beloved by Ptah, the god Manifest and Gracious, which he received from his Father, being assembled in the temple in Memphis this day, declared: Since King Ptolemy, the ever-living, beloved by Ptah, the god Manifest and Gracious, the son of King Ptolemy and Queen Arsinoë, the Parent-loving gods, has done many benefactions to the temples and to those who dwell in them, and also to all those subject to his rule, being from the beginning a god born of a god and a goddess—like Horus, the son of Isis and Osiris, who came to the help of his Father Osiris; being benevolently disposed toward the gods, has concentrated to the temples revenues both of silver and of grain, and has generously undergone many expenses in order to lead Egypt to prosperity and to establish the temples… the gods have rewarded him with health, victory, power, and all other good things, his sovereignty to continue to him and his children forever.[13]

Idiomatic use

The term Rosetta Stone came to be used by philologists to describe any bilingual text with whose help a hitherto unknown language and/or script could be deciphered. For example, the bilingual coins of the Indo-Greeks (Obverse in Greek, reverse in Pali, using the Kharo??hi script), which enabled James Prinsep (1799–1840) to decipher the latter.

Later on, the term gained a wider frequency, also outside the field of linguistics, and has become idiomatic as something that is a critical key to the process of decryption or translation of a difficult encoding of information:

"The Rosetta Stone of immunology"[14] and "Arabidopsis, the Rosetta Stone of flowering time (fossils)".[15] An algorithm for predicting protein structure from sequence is named Rosetta@home. In molecular biology, a series of "Rosetta" bacterial cell lines have been developed that contain a number of tRNA genes that are rare in E. coli but common in other organisms, enabling the efficient translation of DNA from those organisms in E. coli.

"Rosetta" is an online language translation tool to help localisation of software, developed and maintained by Canonical as part of the Launchpad project.

"Rosetta" is the name of a "lightweight dynamic translator" distributed for Mac OS X by Apple. Rosetta enables applications compiled for PowerPC processor to run on Apple systems using x86 processor.

Rosetta Stone is a brand of language learning software published by Rosetta Stone Ltd., headquartered in Arlington, VA, USA.

The Rosetta Project is a global collaboration of language specialists and native speakers to develop a contemporary version of the historic Rosetta Stone to last from 2000 to 12,000 AD. Its goal is a meaningful survey and near permanent archive of 1,500 languages.

Rosetta Stone was also a pseudonym used by Theodor Seuss Geisel (Dr. Seuss) for the book "Because a Little Bug Went Ka-Choo"

See also

Rosetta (disambiguation)
Behistun Inscription
Decree of Canopus, stele no. 1 of the 3-stele series

Notes

• Allen, Don Cameron. "The Predecessors of Champollion", Proceedings of the American Philosophical Society, Vol. 144, No. 5. (1960), pp. 527–547
• Adkins, Lesley; Adkins, Roy. The Keys of Egypt: The Obsession to Decipher Egyptian Hieroglyphs. HarperCollins, 2000 ISBN 0-06-019439-1
Budge, E. A. Wallis (1989). The Rosetta Stone. Dover Publications. ISBN 0486261638. http://books.google.com/books?id=RO_m47hLsbAC&printsec=frontcover&dq=rosetta+stone&as_brr=3&sig=ACfU3U1_VaJ_NxkLmbZuYyDLji99DXwY6w
• Downs, Jonathan. Discovery at Rosetta. Skyhorse Publishing, 2008 ISBN 978-1-60239-271-7
• Downs, Jonathan. "Romancing the Stone", History Today, Vol. 56, Issue 5. (May, 2006), pp. 48–54.
• Parkinson, Richard. Cracking Codes: the Rosetta Stone, and Decipherment. University of California Press, 1999 ISBN 0-520-22306-3
• Parkinson, Richard. The Rosetta Stone. Objects in Focus; British Museum Press 2005 ISBN 978-0-7141-5021-5
Ray, John. The Rosetta Stone and the Rebirth of Ancient Egypt. Harvard University Press, 2007 ISBN 978-0-674-02493-9
Reviewed by Jonathon Keats in the Washington Post, July 22, 2007.
• Solé, Robert; Valbelle, Dominique. The Rosetta Stone: The Story of the Decoding of Hieroglyphics. Basic Books, 2002 ISBN 1-56858-226-9
The Gentleman’s Magazine: and Historical Chronicle, 1802: Volume 72: part 1: March: p. 270: Wednesday, March 31.

References

^ "The Rosetta Stone". http://www.britishmuseum.org/explore/highlights/highlight_objects/aes/t/the_rosetta_stone.aspx. Retrieved 2008-05-21. 
^ "History uncovered in conserving the Rosetta Stone". http://www.britishmuseum.org/explore/highlights/article_index/h/history_uncovered_in_conservin.aspx. Retrieved 2008-11-11. 
^ Downs, Jonathan, Discovery at Rosetta, 2008
^ Downs, Jonathan, Discovery at Rosetta, 2008
^ Downs, Jonathan, Discovery at Rosetta, 2008
^ Retrieved on 2008-25-6
^ See University of Pennsylvania, Philomathean Society, Report of the committee [C.R. Hale, S.H. Jones, and Henry Morton], appointed by the society to translate the inscript on the Rosetta stone, Circa 1858 and most likely published in Philadelphia. See later editions of circa 1859 and 1881 by same author, as well as Randolph Greenfield Adams, A Translation of the Rosetta Stone (Cambridge, MA: Harvard University Press, 1925.) The Philomathean Society holds relevant archival material as well as an original casting.
^ Charlotte Edwardes and Catherine Milner (2003-07-20). "Egypt demands return of the Rosetta Stone". Daily Telegraph. http://www.telegraph.co.uk/news/worldnews/africaandindianocean/egypt/1436606/Egypt-demands-return-of-the-Rosetta-Stone.html. Retrieved 2006-10-05. 
^ Henry Huttinger (2005-07-28). "Stolen Treasures: Zahi Hawass wants the Rosetta Stone back—among other things". Cairo Magazine. http://www.cairomagazine.com/?module=displaystory&story_id=1238&format=html. Retrieved 2006-10-06. [dead link]
^ "The rose of the Nile". Al-Ahram Weekly. 2005-11-30. http://weekly.ahram.org.eg/2005/770/he1.htm. Retrieved 2006-10-06. 
^ [1] "Rosetta Stone row ‘would be solved by loan to Egypt’" BBC News 8 December 2009
^ "Translation of the Greek section of the Rosetta Stone". Reshafim.org.il. http://www.reshafim.org.il/ad/egypt/texts/rosettastone.htm. Retrieved 2009-01-22. 
^ "Text of the Rosetta Stone". http://pw1.netcom.com/~qkstart/rosetta.html. Retrieved 2006-11-26. 
^ The National Institute of Allergy and Infectious Diseases (2000-09-06). "International Team Accelerates Investigation of Immune-Related Genes". http://www3.niaid.nih.gov/news/newsreleases/2000/ihwg.htm. Retrieved 2006-11-23. 
^ Gordon G. Simpson, Caroline Dean (2002-04-12). "Arabidopsis, the Rosetta Stone of Flowering Time?". http://www.sciencemag.org/cgi/content/abstract/296/5566/285?ijkey=zlwRiv/qSEivQ&keytype=ref&siteid=sci. Retrieved 2006-11-23. 

External links

Wikimedia Commons has media related to: Rosetta Stone
Wikisource has original text related to this article: Text on the Rosetta Stone in English
Greek Wikisource has original text related to this article: Greek Text from the Rosetta Stone

The Rosetta Stone in The British Museum
More detailed British Museum page on the stone with Curator’s comments and bibliography
The translated text in English – The British Museum
The Finding of the Rosetta Stone
The 1998 conservation and restoration of The Rosetta Stone at The British Museum
Champollion’s alphabet – The British Museum
people.howstuffworks.com/rosetta-stone.htm

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